Happy birthday Princess Charlotte Elizabeth Diana of Cambridge.
Happy birthday Princess Charlotte Elizabeth Diana of Cambridge.
UPDATED MAY 2: Trousers ID confirmed.
I promised a post this weekend about the tour; that has been pre-empted by news that the Duchess of Cambridge posed for British Vogue’s June issue.
From the magazine’s story about the photo spread:
HRH THE DUCHESS OF CAMBRIDGE is today unveiled as the cover star for Vogue‘s centenary issue. Photographed by Josh Olins in the Norfolk countryside, the Duchess appears in a 10-page shoot within the June 2016 issue, the first magazine shoot that she has ever consented to.
The National Portrait Gallery and British Vogue have collaborated on a very special series of photographic portraits with HRH The Duchess of Cambridge. Two of the images are now displayed in the Vogue 100: A Century of Style exhibition and the full portfolio of eight photographs including the cover will appear in the centenary June 2016 issue of Vogue.
British photographer Josh Olins who works frequently with Vogue was chosen for this landmark shoot. His work is known for its quiet elegance, the character he captures from his sitters and a degree of relaxed understatement.
A banner from the Vogue 100: A Century of Style show.
Of course, Kate is the Portrait Gallery’s royal patron. Below, a Gallery employee works this afternoon on the addition of Kate’s two photographs to the exhibit.
And the pictures chosen for the exhibition.
As many readers know, the Duchess has never posed for a fashion magazine. More from Tom Sykes in The Daily Beast:
Alexandra Shulman, Editor-in-Chief of British Vogue commented, “To be able to publish a photographic shoot with HRH The Duchess of Cambridge has been one of my greatest ambitions for the magazine.
A portfolio of seven photographs, are to appear with an accompanying article (sources say that although Kate has provided some original quotes for the piece, she has not broken the habit of a lifetime and given a sit-down interview).
Kate’s thoughts about being part of the magazine’s centenary issue come from ‘a spokesperson for the Duchess,’ via The Daily Beast.
The Duchess was delighted to play a part in celebrating the centenary of an institution that has given a platform to some of the most renowned photographers in this country’s history. She is incredibly grateful to the team at Vogue and at the National Portrait Gallery for asking her to take part. She would like to thank Josh Olins for being such a pleasure to work with. The Duchess had never taken part in a photography shoot like this before. She hopes that people appreciate the portraits with the sense of relaxed fun with which they were taken.
Kate does look very relaxed in the pictures, more from Vanity Fair:
Styled by one of the magazine’s senior style directors, Lucinda Chambers, Olins’s shoot captured the duchess at her most natural. A source at the magazine said that Kate worked closely with the editor and style director on the shoot eschewing glamour for country chic when it came to the wardrobe.
The Duchess also wears minimal makeup in the photo spread. More about that topic from The Telegraph:
For the first time the Duchess, 34, allowed a professional make-up artist to prepare her for the photographer, giving her a fresher, more youthful look.
Vogue hired make-up artist Sally Branka, who persuaded the Duchess to do without her usual black eyeliner and heavy blusher, with striking results.
It is Ms. Branka’s makeup work that is generating the most chatter online. As you might imagine, opinions are divided, although it should be noted that the minimalist look would have been discussed by Kate, Ms, Branka, Ms. Shulman and perhaps others involved in the shoot. Ultimately it would have been the Duchess’s decision to go ahead with the different approach. One more portion of the Vanity Fair story:
According to a spokesman at Kensington Palace, Wednesday will be “the first time” Kate has seen the images suggesting she did not have final approval over the portfolio of images which do not appear to have been heavily airbrushed.
Ms. Branka shared her elation about being part of the cover shoot in an Instagram post, saying she was “So proud to be part of this amazing cover!”
Photographer Josh Olins was born in London but now lives in New York. He has a wealth of experience with fashion shoots as well as celebrity photographs. He also shared his delight about being involved with the project via Instagram.
The photographer told Vogue he felt privileged to be chosen to take the photos, saying “This was the Duchess’s first sitting for a magazine and she was a joy to work with, a natural.” More about the shoot from Vanity Fair’s story:
According to Alexandra Shulman, the magazine’s editor in chief, who was on the shoot: “The Duchess watched how Josh worked with the light and asked a lot of questions. It was her choice to shoot that picture where she is leaning over the gate because the late afternoon sun was particularly beautiful.”
In the picture the couple’s Landrover Defender can just be seen. While William’s security team drives a fleet of luxury Discovery Landrovers the Duchess prefers to drive around in the less-conspicuous Defender.
Shulman said that the shoot took place all day, “in a field somewhere down several tracks. There were some farm buildings available for the crew and to use as a dressing room. We were very lucky with the weather and had bright sun for most of the time.”
Diana, the late Princess of Wales, appeared on Vogue’s cover four times. The first cover was shot by Lord Snowden for the August 1981 issue, not long after Diana’s marriage to Prince Charles, seen on the far left below. The other three cover images were all by Patrick Demarchelier. From second left to right you see the December 1991 issue; the noted July 1994 black and white cover; and October 1997′s cover, released posthumously with a photograph actually taken in July of 1994.
Victoria Arbiter noted that Princess Anne also covered Vogue several times.
According to Vogue Kate chose the clothing, locations and photographer:
Having participated in choosing not only the clothes worn in the shoot and the locations used as a backdrop, but also the photographer who captured the images, the Duchess was pleased with the resulting feeling of informality in the final shots.
On to what Kate wore in the pictures, beginning with a Petite Bateau Striped Tee.
The tee is a standard silhouette for Petit Bateau in 100% cotton; this spring it is re-imagined with a vertically striped pocket. As you might expect, the piece has sold out in the red/navy colorway Kate wears, but it is available on the US site in blue/white and black/white. The inventory situation is identical on the UK site.
On the magazine’s cover the Duchess is seen wearing Burberry’s Double Breasted Suede Coat ($7500).
From the product description:
A suede coat cut with a classic double-breasted closure and wide revere collar. The tapered waist features an integrated martingale to cinch the silhouette and a softly pleated skirt for movement.
The $7500 piece remains available as of Monday, May 2nd. It’s possible the ‘Kate Effect’ won’t be quite so dramatic with this item, that has occasionally been the case with some of the very high-end items Kate has worn.
The Duchess also wears Burberry trousers, the brand’s Stretch Boot-Cut Trousers.
The pants are made of a rayon/elastene blend, with two back welt pockets and two side-seam (I think) pockets, detailed with ‘military style’ red topstitching. In the US they are $1195 and still available in several sizes; in the UK the trousers retail for £695, with many sizes still available.
Kate’s white shirt is also said to be a Burberry piece.
One other note about the Portrait Gallery: many wondered if the new photos meant the existing portrait of the Duchess would no longer be exhibited. According to the Gallery’s website the portrait is on display in room 32.
Some may recall discussion back in 2011 (and maybe again in 2012) about Anna Wintour hypothetically approaching the Duchess for a cover shoot, the following graphic is from a September 2011 Telegraph piece.
The magazine will be available for newsstand purchase and downloading on May 5th, this Thursday.
We’ll leave you with this quick video (1:10) from the National Portrait Gallery about the Vogue 100 exhibit.
With Kate and William’s anniversary upon us I thought it would be nice to take a look back to 2011 and Kate’s wedding gowns.
Five years ago tonight many of us were setting alarms for an early start the next morning, while Kate and the rest of the Middletons were at London’s Goring Hotel. Below, Kate and Pippa Middleton arriving at the Hotel.
The next time we saw Kate she was in the Queen’s Bentley, on her way to Westminster Abbey with her father, Michael Middleton.
In this photo it almost looked like Kate was having a few ‘cleansing breaths,’ although she actually appeared very calm and composed the entire day.
The train on Kate’s gown was just under nine feet. That expanse of fabric was well handled by Maid of Honour Pippa Middleton.
A wave and a smile.
A better look at precisely what Sarah Burton is arranging.
Michael Middleton’s face spoke volumes.
This offers a nice look at the Cartier ‘Halo’ tiara. Kate’s silk tulle veil was embroidered by the the craftspeople at the Royal School of Needlework, based at Hampton Court Palace. (The majority of the lace was made in France at the historic Sophie Hallette factory, then affixed to the dress by Royal School personnel.)
The expression on William’s face is dear.
A closer look.
A shared smile before heading up the aisle.
There must have been some relief at this point for the newlyweds, knowing the first of the day’s big events was behind them.
Kate was radiant.
The younger members of the wedding party arriving at Buckingham Palace.
Another look at the train.
The receiving line.
The long-awaited appearance on the Palace’s iconic balcony.
Most enjoyed the military flypast.
But little Grace van Cutsem was underwhelmed.
A breeze lifted Kate’s veil as she returned inside, it looked very pretty in the video clips.
Later that afternoon it was time for a royal version of the “Just Married” drive.
That evening there was a private reception for families and friends.
The Duchess was in a second gown by Sarah Burton.
This is a photo I hadn’t previously seen, it seems to do a good job summing up the day.
This BBC clip runs about 3:40.
And this 8-minute video was tweeted by Kensington Palace this morning.
— Kensington Palace (@KensingtonRoyal) April 29, 2016
We will see you with another tour post this weekend.