We’re back with our final piece reviewing dresses the Duchess has worn that showcase a floral motif.
It had cap sleeves, gathers at the shoulder, piping at the waist, and a full skirt. The fabric was described as “de Gournay silver and marble grey chinoiserie silk.” de Gournay is the renowned interior design house known for its handpainted fabric, porcelain, and wallpaper. (As an aside, this spring the company partnered with Erdem on a collection of wallpaper and clothing.)
We saw Kate in another Jenny Packham design for the launch of the Jubilee Tour in 2012 when the Duke and Duchess visited Singapore’s Botanic Gardens.
The print for the dress had much the feel of the de Gournay worn in Santa Barbara, a soft, almost ethereal floral motif. The dress featured three-quarter length sleeves, a self-belt, deep vee neckline, and full skirt.
The third piece in this group was also from the 2012 Jubilee Tour, worn to a State Dinner hosted by the President of Singapore. Another example of sartorial diplomacy, the dress was by Prabal Gurung, who was born in Singapore.
It was made of a wool/silk blend and lined in silk. The garment’s most distinctive feature was the engineered print; it also had a bateau neckline, three-quarter sleeves, and a concealed zipper. It was from the designer’s spring/summer 2012 line, a collection inspired by a series of photographs titled ‘Sensual Flowers,’ by Japanese artist Nobuyoshi Araki.
Here is a closer look at the fabric used for each piece.
During a Royal Australian Air Force engagement in April 2014, the Duchess debuted what became a much-loved piece, the ‘Lasa Poppies’ dress in Snorkel Blue from LK Bennett.
A classic sheath, the cotton/rayon dress featured the distinctive poppy print, squared neckline, elbow-length sleeves, and a concealed back zipper. The Duchess wore the dress again in 2016 when doing engagements in Luton, Bedfordshire.
The piece used princess seams for its fit and flare silhouette, with cap sleeves, and a hidden zipper. The pattern is called Fleurs Sauvages, or “Wildflowers.”
The piece was built around the soft yellow border print, with three-quarter length sleeves, darts at the bust and a full lining.
A closer look at the material from these three styles.
At the 2017 Chelsea Flower Show, the Duchess sported a dress by Rochas.
The midi-length piece was crafted of silk crêpe de chine in an emerald and ivory floral print from the Rochas 2016 pre-fall collection. It featured a fitted waist and flared skirt, side slit pockets, exposed back zipper, and silk lining.
On multiple occasions when expecting Princess Charlotte and Prince Louis, we saw Kate in a dress by Seraphine Maternity, the brand’s ‘Florrie’ style.
The dress was 100% viscose with elbow-length sleeves, a round neck, and a curved empire waist in a length that hit just above the knee.
It was Catherine Walker for Trooping the Colour 2015.
The Duchess wore the brand’s ‘Astrid’ coatdress, with a pencil line, done in ice blue and ivory silk. The tailored piece had a wide rounded collar, self-covered front buttons, and three-quarter sleeves.
A closer look at these fabrics.
The LK Bennett dress was worn to a children’s tea party at the Natural History Museum in November 2016.
The ‘Cersei Evergreen’ dress was a silk/rayon blend described as “luxe chiffon with textured velvet print.” Design elements include the partially sheer bodice, front keyhole opening at the neckline, long sleeves, and a midi-length.
On a snowy February night in 2018, the Duchess was in Orla Kiely for an engagement at the National Portrait Gallery.
The garment was from the L’Orla Resort 2018 capsule collection, a line referencing the feminist movements of the Sixties and Seventies the designer did in tandem with stylist Leith Clark. The ‘Margaret’ was made of 100% viscose with a large floral pattern; it also had Victorian-era design features, including a smocked front panel with ruffled border and velvet trim; the high neckline and ruffled cuffs are also trimmed in velvet.
Our third piece is by Beulah London; it was seen at a very recent engagement.
Beulah London’s ‘Shalini’ Dress was Kate’s choice for an afternoon tea in early July that celebrated the NHS’s 72nd anniversary. It is made of 100% silk crepe de chine that was digitally printed in Italy, while the dress itself was constructed in England. The midi-length frock showcased a contrasting white point collar and cuffs, concealed front placket, fitted waist, flared skirt, and self-belt.
A closer view of the material used in the last three pieces.
The ‘Encore Rose’ Chiffon Dress featured a print “inspired by the roses tossed on stage at the end of a show.” The shirtdress had sheer sleeves, buttons from the neck to the inset waist, pleated skirt, chest patch pocket, side seam pockets, and a removable tie at the neckline, which Kate elected to wear.
Kate chose a dress by Ridley London for a photo workshop last June.
The ‘Virginia’ Midi Dress featured a Liberty London print called ‘Peach Flourish’ in silk chiffon. Design elements included a v-neck, flutter sleeves, a fitted bodice, and an A-line skirt with a flounced hem.
For the final unveiling of her Back to Nature Garden last September, the Duchess wore Emilia Wickstead.
She was in the ‘Aurora’ dress, part of a capsule collection the designer did with Net-a-Porter. Made of lightweight cotton seersucker, the midi-length dress featured a button front, chest pockets, deep cuffs, a wide belt, and self-covered buttons.
Done in the label’s ‘Nefili Floral’ pattern, the handmade, hand-dyed & hand-printed piece was 100% rayon, and it featured a vee-neck and faux front closure with self-covered buttons, a shirred panel to define the waist, puffed sleeves with rows of elastic at the cuff, an invisible back zipper, and a floaty A-line skirt.
Now for a closer look at these fabrics.
The Carnation Print Midi Dress fastened up the front with buttons, had a vee neckline, long sleeves, and a full skirt. Described as a lightweight crepe, the design was 100% polyester, fully lined, and machine washable. The colors are officially called begonia pink and true navy.
Featuring a red and gray poppy motif and retro 1970s vibe, the dress also had a fitted v-neck bodice, defined waistband above a flared skirt, and full sleeves. It was from the pre-spring 2017 collection.
For a Heads Together holiday part in 2016, the Duchess wore Vanessa Seward’s ‘Cai’ dress.
The Cai was done in silk jacquard that featured a small floral motif in red and green on a black background. It had full sleeves, a button front with black enamel buttons, on-seam side pockets, and a self-belt the Duchess elected not to use. It was from the A/W 2016 collection.
For events remembering Diana, Princess of Wales on the 20th anniversary of her death, the Duchess wore a piece by Prada.
The silk dress featured a poppy print in lightweight silk-crepe. It had a full skirt, gathers at the shoulders, long sleeves, stand collar with a detachable self-tie bow, and most distinctively, a shirred waistline.
From the label’s S/S ’20 ready-to-wear line, the piece was made of silk crepe de chine. Design elements included a pleated bodice, structured bishop sleeves, off-center buttons, and peplum at the waist.
Below, a better look at the floral patterns.
There are many floral designs not showcased here because we just didn’t have a good look at them. That includes the Anouk dress by Ghost worn for an April ‘Clap for our Carers’ event and the Project D ‘Penelope’ worn at the end of the 2012 Tour.
There are also several floral pieces not included that were seen only in video calls during the pandemic. This would include the cabbage rose print from Marks and Spencer, the Beulah London ‘Calla Rose’ Dress, and the ‘Aurora’ Wrap Dress by Boden (also seen in a black and white photo used for a Cambridge family Christmas card.)
There are several others we had just a glimpse of, like the ‘Budding Hearts’ dress by Suzannah seen in photos marking Prince George’s first birthday, and the & Other Stories maxi dress seen in pictures of the Cambridge children visiting Kate’s Back to Nature Garden.
This wraps up our review of dresses the Duchess has worn featuring a floral motif. In our previous posts, we covered dresses with the theme woven into the fabric.
We looked at evening gowns incorporating floral designs.
And we reviewed dresses by Erdem showcasing a floral theme.
Now we have added ‘everyday’ designs featuring a floral print.
More of today’s designs.
What are the takeaways after immersing ourselves in floral dresses? A couple of thoughts:
- The Duchess doesn’t limit herself to solid colors and obviously enjoys a print dress. Her go-to pattern is florals, surpassing other designs by a large measure.
- By and large, the Duchess opts for smaller floral motifs. She isn’t afraid to do a big, bold, splashy print (see Erdem, the white with red McQueen dress covered today, the Orla Kiely, and a few others) but primarily stays with more lowkey designs.
- She returns to favored designers time and again:
- In the dresses we have covered in our floral posts, there are 14 Erdem designs, 7 by Jenny Packham, and 5 by both Alexander McQueen and Temperley London.
- While most dresses we covered are relatively high-end, with quite a few bespoke pieces, there are also affordable options like the Faithfull Marie-Louise ($189 and still available in a few sizes), the Marks & Spencer Cabbage Rose print midi ($69), the MICHAEL Michael Kors ($128), and the Seraphine ‘Florrie’ ($179).
What do you think of Kate’s fondness for florals? Do you have a favorite?